Norquist, the president of Washington-based Americans for Tax Reform, first shot an office scene, handing a three-ring binder to heroine Dagny Taggart’s assistant. Easy enough, it sounds. Then producers suggested a second role. For a scene where Dagny and Hank Rearden walked along the street discussing the decline of society, they put Norquist in the background as some kind of down-and-out businessman, slumped on a stone bench, a bottle of wine in his lap. They roughed up his face with makeup, and messed up his hair, but he wore his own suit.